Clothes are like friends.

The way
 that people dress makes them part of an army, dressed in their own uniform,
 determined to do something

The Romanovs are overtaken by the Indian Maharajahs as American heiresses pick over the carcasses of fallen Empire.

The clothes that fire up my emotions are colorful and different pieces. My eye still picks out gilded-cloque glamour from among Burberrys streamlined trench coats or a hand-printed coat from Dries Van Noten.

I am thrilled to become International Vogue Editor at Condé Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the Vogue websites,

I do believe fashion should work as hard as a woman does.

I am not a hoarder, but my wardrobe is the antithesis of fast fashion. I buy clothes - beautiful in looks and make - to last. I originally stored away things like Ossie Clark because I could not bear to part with such treasures.

I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.

If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.

In the mid-1990s, when I stopped having to run from the shows to the film developing lab and first saw digital images, I blessed technology and was convinced that my working life was changing for the better.